A crooked lawyer schemes to dispossess the heir to a baronetcy.

Colombia 1662: In the Spanish colonies there the Inquisition: apostates are tortured, burned witches. The indigenous people are demonized and in the middle are two friends into enemies. The doctor Alfonso should marry the eldest daughter of the wealthy Don Ramon, but her other two sisters hedges of deadly intrigue. Father Guzman plays a spy of the church is a dangerous game that will be fatal for him and the mysterious Esmeralda turned all men's head.

A lawyer plans to murder an aristocrat and steal his inheritance.

After her husband is called to arms, an older woman volunteers for the land army and falls into a rapturous love affair with a teenage boy.

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As if opening the pages of a personal and exclusive diary, David Cronenberg generously opens up, retracing his life and the works that have made him one of the greats of cinema. Through an honest and disarming narrative, the filmmaker reveals the deep roots of an imagination that has influenced and transformed entire generations of viewers and directors.

American woman in Europe romanced by local gigolo; problems ensue.

At the beginning of the scene Romeo in his gondola sings to Juliet a sentimental song, then goes away. Hardly has he departed when the colonnade falls to pieces, disclosing the devil. Juliet, frightened, runs to the window and calls Romeo. The latter attempts to enter and protect his fiancée, but at a gesture from the devil the window is instantly covered with a grating and Romeo makes frantic efforts to break it. The devil begins to dance a wild dance before Juliet, who is beside herself from terror. The devil gradually becomes the size of a giant (a novel effect). Juliet implores the statue of Madonna, which becomes animated, descends from its pedestal, and stretching out its arms orders the devil to disappear. (Méliès Catalog)

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